— Deborah Bird Rose
That we treat these fires
Seriously:
We have a national day
Of mourning
Dedicated to the lives lost
The habitat vanished.
The devastation wrought on every life form by the fires was the impetus for the original concept of this project, Ritual for Nature: In memoriam – a soundscape with clouds.
We imagined an acoustic journey through the sounds of this experience, while sitting in a cloudscape, followed by a ritual. The ritual would involve a physical connection with nature, each person holding an artefact from nature and one by one placing it as a piece in a large pattern.
After the fires, came flooding, then Covid 19 and everything came to a screeching halt. When we needed to come together we were driven apart. In terms of the Recovery project we had to put everything on line.
We struggled with how we might adapt our concept. Obviously, on line would not allow the physical presence and tactile connection we had imagined. The low-lying cloud machine had to go! Neither would it encompass the nuance and depth of sound experience envisaged. What was to have been a spacious, sound-driven experience became a documentary composition, encompassing the thoughts and concerns expressed by citizen scientists and artists.
Could the elements of a shared space, an impactful tactile, physical ritual be created online? We tried a Zoom version, with the members of the Recovery project. The sound was poor quality and the focus on presenting artefacts was distracting.
Still, there was a certain power in the process. It was moving to see the hands of the eco scientists and artists holding their chosen artefacts from the natural world: be it feather, rock, stick, burnt leaf or seed. Knowing that these same people volunteer their time to eco-monitoring and bush care, doing tender, precise work to preserve and protect this environment. The actual hands on aspect became representations of hands on.
Eventually we decided to do a video in two parts with a focus on sound in the first part and a focus on vision in the second part. We let go of In Memoriam and it became Duty of Care: Part I, Unnatural Causes and Duty of Care: Part II, Hands On. We hope that there is an element of participation as you listen and watch.
To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand
And Eternity in an hour.
— William Blake Auguries of Innocence
“In the enforced isolation of COVID I have become a tree hugger. Scribbly barks are great for hugging, so interesting.”
Pearly white skin
Creased in places like a human elbow or knee
Etched with messages from the busy moth grubs
Ogmograptis scribula
“the wavy writing scribe”
Tunnels between the layers of bark
Leaving work that it is widely read,
If not understood.
I lay my cheek against the smooth
Bark and wrap my arms around its girth
And listen for the voice of both
Tree and grub
Grub and tree
Unconcerned by pandemics
Reminding me to connect
In whatever way I can
I am writing back to you
In my own wavy hand.
– Chia Moan September 2021
I seek to engage both the living, warm-blooded beings whose lives are threatened, and the excruciatingly dynamic deathscape that is surrounding them/us.
— Deborah Bird Rose
“This poem came out of days and days over years of sitting in the Megalong Valley making images. Even though I was working visually it was a multi-dimensional experience, a wholistic surrender to the sounds, smells, wind, moisture, and heat that went into every image.”
— Chia Moan
The bush is messy.
Distressing, hard
to draw
to paint, to integrate
scrappy and complicated
dappled and cross-stitched
the eye gets lost
jumping between twiggy reflections
and tangled ferns
Stuck, I put down my brush
pause, attending
listening
Close by
rushing shushing
rattling the shallow stones
water wraps gurgling arms
around
two great rocks
Downstream
mini-rapids muttering
uttering stammering
become small falls of water
dissolve murmuring
into pools
Across the creek
the rum-tum-tiddle-tum-ti
of busy magpie chatter as she
effortlessly tosses off
a melody
or three
In the crosshatchings
of sticks and scrub
elegant curlicue of tail feathers
the voice of the lyrebird,
never to be trusted
but always superb
At my feet
a long-necked turtle
emerges from the small pool
freezes
all senses on alert
I hold my breath
Overhead
lone
ooh ooh ooh ooh
rat-a-tat-tat-tat-tat
rises up to a lingering chortle,
a vibrato of hilarity
Joined by a gang of
raucous choristers
heads thrown back
to a full-throttle, whole group
crack-up,
you have to smile
They seem
amused and tolerant
magnanimous
but I suspect
they really don’t care
about art
My hand starts to move
across the paper
making marks sweeping and crackling
spackling and weeping
dipping and swooping
rat-a-tat-tat and wardle-oodle-oohing
jamming in the brassy
ragtime of the bush.
DUTY OF CARE, PART I: Unnatural Causes – a soundscape with voices
Writer and naturalist – JOHN BLAY
With some thoughts from citizen Scientists – LEONA KIERAN, CHIA MOAN, BROOKLYN SULAEMAN
Thanks to BILL DIXON & PAUL VALE for sharing their specialist knowledge & experience
In the field – Birdwatcher and photographer, JOHN FRENCH, wildlife artist and conservationist FIONA LUMSDEN and citizen scientists KEITH BRISTER, LEONA KIERAN, MONICA NUGENT, PAUL VALE
Thanks to JUSTIN MORRISSEY, BROOKLYN SULAEMAN, FREEDOM WILSON for their thoughtful words, spoken by –
ELLA COLLEY, JACK COLLEY, JESSICA DOUGLAS-HENRY, RUSSELL STAPLETON, JANE ULMAN
with thanks to RUSSELL STAPLETON and PHILLIP ULMAN for special sounds
MICHAEL ATHERTON for his waterphone glissando
WILL FARRELL for Technical assistance
and to PAUL BROWN, JUSTIN MORRISSEY, KATE REID & SARAH TERKES for advice, encouragement and support
Video Production – JUSTIN MORRISSEY
Field Recording, sound design and production – JANE ULMAN
DUTY OF CARE, PART II: hands on
Images by CHIA MOAN
Audio by JANE ULMAN